The claustrophobia, though, sets in long before then.

The other invaders form a stereotypical motley crew but the contrast between the two leads makes for a gripping confrontation, particularly when the action moves from the giant vessel to a cramped, sweaty lifeboat. “No more games, Irish!” he yells, his wonky teeth more intimidating than his naive threats. Playing piratical leader Muse, his awkward brutality is scarily unpredictable, while an extended recruitment scene in poverty-stricken Somalia (where crowds queue up on the beach to bring home riches) gives his nervous violence a desperate, human edge. Hanks is astonishing as the titular skipper, his polite, stubbled exterior gradually giving way to bearded cries of pain, but the show is stolen by young newcomer Barkhad Abdi. The story climaxes in a gung-ho display of Team America patriotism but this is far from Tom Hanks vs the Pirates. What’s surprising is that Greengrass spends almost as much time on the opposite shore as he does with the Yanks. Greengrass’ film is an emotionally exhausting yet ruthlessly efficient watch: we meet Captain Phillips (Hanks) for all of five minutes before he heads out to sea, a flash of conversation with his wife (the always believable Catherine Keener) providing all the characterisation we need to dock our sympathies in Hanks’ harbour. But if you’re going to experience the horrific tension of guerrilla soldiers invading your freight ship, Paul Greengrass’ thriller is probably the most enjoyable way to do it.Įnjoyable is, of course, an adjective we use very loosely.

We’ve never been held captive on a boat by pirates, but after A Hijacking and Captain Phillips, we can say with confidence that it isn’t very nice.

Watching captain phillips